Matrox Mojito with MAX PCIe Card

 
Matrox Mojito with MAX PCIe Card
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Matrox Mojito with MAX PCIe Card
 
RRP: $1169.00
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PAY: $1115.00   INC GST
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SKU: VIOMAT138
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MOJITOMAX* - General Description

Not only does Matrox Mojito MAX give you broadcast-quality input and output for your favorite editing app, it also turbocharges your H.264 encoding for deliveries to the web, mobile devices, and Blu-ray – in a single ¾-length PCIe card.

If you’re delivering H.264 content for the web, mobile devices, Apple TV, and Blu-ray discs, you know how painful it can be to wait for the long encoding times needed to create high-quality video files using software only. You might even be tempted to sacrifice quality for speed. With Matrox Mojito Max, you no longer need to even consider making that trade off.

Matrox Mojito MAX amplifies your productivity with all the industry’s leading editing and content creation software for Mac and PC, as well as a wide variety of H.264 encoding, Blu-ray authoring, and streaming applications.

Matrox Mojito MAX gives you a full range of professional audio and video inputs and outputs, genlock, RS-422 machine control and 5.1/7.1 surround sound monitoring on the HDMI output.

Deliver projects in all the formats your clients demand. Matrox Mojito Max provides high-quality up/down/cross conversion on capture and output.

The unique Matrox HDMI Calibration Utility lets an HDMI monitor perform like a broadcast HD/SD monitor with 10-bit 4:2:2 color precision.

A variety of free software tools are included with every Matrox Mojito MAX card. Matrox Vetura Capture and Vetura Playback for Mac and Matrox A/V Tools for PC support tape-based workflows. These apps let you quickly and easily capture and playback video and still frames for use with any NLE. Matrox MAX H.264 Capture for PC lets you capture directly to H.264 files for the web, mobile devices, and Blu-ray.

he Matrox RT engine provides full-resolution, full-frame rate, full-quality, multi-layer, realtime video editing for Adobe Premiere Pro editors on the PC. It provides many of the benefits of GPU acceleration but works with any system, even laptops. You also get realtime Matrox Flex CPU effects such as primary and secondary color correction, smooth speed changes, and many more. A high-quality, highly-efficient

MPEG-2 I-frame intermediate codec streamlines working with CPU-taxing footage such as AVCHD and XDCAM.

Matrox Mojito Max is a convenient capture device for streaming live events. Choose your favorite app – Adobe Flash Media Live Encoder, Microsoft Expression, QuickTime Broadcaster, or Telestream Wirecast. Connect to any HD or SD video source via HDMI or analog.

Matrox Mojito Max can be used in a variety of scenarios to assist cost-conscious content creators in 3D stereo production and post. Three popular workflows supported by Matrox Mojito Max include: live 3D monitoring on set, quick creation of 3D dailies, and monitoring/editing 3D projects.

MOJITOMAX* - Specifications

MAX H.264 Encoding Acceleration
Resolutions: Even frame sizes from 64 x 64 to 1920 x 1080
Bit rates: 100 Kb/s to 50 Mb/s
Frame rates: 15, 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 frames per second
Encoding profiles: Baseline (CAVLC) and main (CABAC) profiles
Encoding controls: 2.0, 3.0, 3.1, 4.0, 4.1, and 4.2 level support
GOP structure
Constant bit rate (bit rate remains stable, quality varies depending on complexity of each frame)
Constant quality (each video frame is analyzed to deliver the targeted quality, bit rate varies while keeping the lowest possible bit rate)
Variable bit rate (squeezes out the highest possible quality at the average target bit rate )
Noise filtering (saves bits by reducing high frequencies in the video)
De-interlacing (ensures high-quality encodes of interlaced SD and 1080i source material)
Data rate slider (produces smoother or more abrupt transitions)
Sample rate monitoring (verifies compliance with targeted data rate)
Scene detection (provides multi-pass quality in a single pass with Apple Compressor).

Video
Supported video formats: NTSC/PAL/NTSC-EIAJ
720P 50/59.94
1080I 50/59.94
1080P 23.98/24/25/29.97/30
1080PsF 23.98/24/25/29.97/30
HDMI input: 1 HD input
HDMI Y,Cb,Cr 4:2:2 (10-bit)/RGB (10-bit)
8 channels of embedded audio
Standard Type A HDMI connector (19 pins).
HDMI output: 1 HD or SD output
HDMI Y,Cb,Cr 4:2:2 (10-bit)/RGB (10-bit)
8 channels of embedded audio
HDMI 1.4a flag setting through control panel for 3D monitoring
SDI input: 1 SD or HD input
16 channels of embedded audio on Mac
8 channels of embedded audio on the PC
Compliant with SMPTE 259M, SMPTE 272M, SMPTE 292M, SMPTE 299M
BNC connector (75 ?), terminated
Equalized input for maximum cable length support
SDI output: 1 SD or HD output
16 channels of embedded audio on Mac
8 channels of embedded audio on the PC
Compliant with SMPTE 259M, SMPTE 272M, SMPTE 292M, SMPTE 299M
BNC connector (75 ?).
Composite input: PAL/NTSC/NTSC-EIAJ
12-bit ADC
2x oversampling
Anti-aliasing filtering
Automatic gain control
BNC connector (75 ?), terminated
Composite output: PAL/NTSC/NTSC-EIAJ
12-bit DAC
8x oversampling
BNC connector
S-Video input: PAL/NTSC/NTSC-EIAJ
12-bit ADC
2x oversampling
Anti-aliasing filtering
Automatic gain control
4-pin mini-DIN S-Video connector (75 ?), terminated (via third-party adapter purchased separately).
S-Video output: PAL/NTSC/NTSC-EIAJ
12-bit DAC
8x oversampling
4-pin mini-DIN S-Video connector (via third-party adapter purchased separately).
Component input: Switchable between SD and HD
EIA-770.3 compliant
12-bit ADC
Anti-aliasing filtering
BNC connector (75 ?), terminated
Component output: Switchable between SD and HD
EIA-770.3 compliant
12-bit DAC
2x oversampling
BNC connector
HD analog component video passthrough performance: Frequency response Y: +/- 1.0 dB max to 28 MHz
Frequency response Pb, Pr: +/- 1.0 dB max to 12 MHz
Component channel delay: < 8 ns
Component S/N (Y, Pb, Pr): > 50 dB, unified weighted
SD analog component video passthrough performance: Amplitude error: < 4%
Frequency response: +/- 0.5 dB max to 5 MHz
2T pulse response: 1.0% max
Diff. Gain: < 2%, Diff. Phase: < 1 degree
S/N: > 58 dB, unified weighted

Audio
Analog inputs: 2 channels balanced audio via XLR connectors
Nominal levels: +4 dBu (+4 dBm)
Input impedance: Hi-Z
Headroom (max level): 18 dB
Analog outputs: 2 channels unbalanced audio via RCA connectors
Output impedance: 100 ?
Line level with 18 dB headroom (max level)

4 channels balanced audio via XLR connectors
Nominal levels: +4 dBu (+4 dBm)
Output impedance: 50 ?
Headroom (max level): 18 dB
AES/EBU inputs: 2 channels unbalanced
1 x BNC connector (75 ?), terminated
Maximum input level: 5 Vp-p
AES/EBU outputs: 2 channels unbalanced
1 x BNC connector (75 ?), terminated
Nominal output level: 1Vp-p
SDI audio input: 16 channels embedded audio on the Mac
8 channels embedded audio on the PC
24-bit, 48 kHz
SDI audio output: 16 channels embedded audio on the Mac
8 channels embedded audio on the PC
24-bit, 48 kHz
HDMI audio input: 8-channels embedded audio
24-bit, 48 kHz
HDMI audio output: 8-channels embedded audio
24-bit, 48 kHz
Balanced analog audio performance: Sampling frequency: 48 kHz (using 64x oversampling)
Quantization: 24 bits
S/N: > 85 dB
THDN at 1 kHz, nominal level: < 0.05

Genlock
Reference input and output: HD analog tri-level sync or SD analog bi-level black burst
BNC connector (75 ?), terminated

Scaling
Dedicated hardware scaler: Multi-tap 10-bit realtime processing
HD to SD downscaling - Proper conversion of the HD color space to the SD color space and proper aspect ratio conversion to anamorphic, letterbox, and center cut are provided. You can monitor or record an SD master of an HD project in real time.
SD to HD upscaling - Proper conversion of the SD color space to the HD color space is performed. Footage with a 4:3 aspect ratio will be "pillarboxed". SD 16:9 footage will be scaled to full screen.
Cross conversions from 720 to 1080 and 1080 to 720
All scaling operations can be accompanied by frame rate conversion with 2:3:2:3 and 2:3:3:2 cadences to facilitate monitoring 23.98 fps footage on a monitor that does not support the specific frame rate.

Special Features
Unique Matrox HDMI Calibration Utility: Turns your HDMI display into a monitor you can trust
Closed captioning: Closed captioning capture and playback for Final Cut Pro via Matrox 4Vanc
Closed captioning support for Adobe Premiere Pro
AFD support: Capture and playback of AFD data for Final Cut Pro 7 via Matrox 4Vanc
3D support: HDMI 1.4a flag setting through control panel

Software
Editing: Adobe Premiere Pro, Final Cut Pro, Avid Media Composer, Boris Media 100
Content creation: Adobe After Effects, Adobe Photoshop, Apple Color, Apple Motion, Apple Soundtrack Pro, Eyeon Fusion, NewTek LightWave 3D
Streaming: Adobe Flash Media Live Encoder, Microsoft Expression, QuickTime Broadcaster, Telestream Wirecast
H.264 encoding: Adobe Encore, Adobe Media Encoder, Apple Compressor, Telestream Episode
Blu-ray authoring: Adobe Encore, Roxio Toast
Free Matrox productivity tools: Matrox Vetura Capture for Mac
Matrox Vetura Playback for Mac
Matrox A/V Tools for the PC
Matrox MAX H.264 Capture for the PC

General
Dimensions (3/4-length PCIe card): L: 23.7 cm (9.3") × W: 24.1cm (9.5") × H: 5.1cm (2").
Weight: 2.75 lbs (1.245 kg).
Deck control: via RS-422
Regulatory compliance: FCC Class A, CE Mark Class A, ACMA C-Tick Mark, VCCI
RoHS Directive 2002/95/EC
Limited warranty and service: 3-year limited warranty with free telephone support

Electrical and Operating Requirements
Power: Total power consumption: 15 Watts
Environmental: Operating temperature: 0 to 40º C (32 to 104º F)
Storage temperature: –40 to 75º C (-40 to 167º F)
Maximum altitude for operation: 3,000 meters
Maximum altitude for transport: 12,000 meters
Operating humidity: 20 to 80% relative humidity (non-condensing)
Storage humidity: 5 to 95% relative humidity (non-condensing).

MOJITOMAX* - Contents

  • 1 x Matrox Mojito with MAX PCIe Card
  • 1 x Matrox Mojito MAX breakout cable
  • 1 x HDMI cable (Type A-to-Type C)
  • Note:(An S-Video adapter cable - two BNC male to S-Video - is required for connecting an S-Video device to your Mojito MAX input/output.)
  • (A third-party RS-422 cable is required for machine control.).

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