Expanding on the Ki Pro Ultra, the AJA Ki Pro Ultra Plus allows for four channels of simultaneous recording in up to 1080p60/50, as well as single channel recording and playback of DCI 4K, Ultra HD 4K, 2K, and HD signals.
Expanding on the Ki Pro Ultra, the AJA Ki Pro Ultra Plus allows for four channels of simultaneous recording in up to 1080p60/50, as well as single channel recording and playback of DCI 4K, Ultra HD 4K, 2K, and HD signals. Ki Pro Ultra Plus features four 3G-SDI inputs and one HDMI input, and the same number of outputs, and also supports optional fiber modules for extended distances.
Recording to ProRes codecs up to ProRes 4444 and to Avid DNxHD, and offering familiar VTR-style front panel controls, the Ki Pro Ultra Plus is simple to use and records to robust, edit-ready formats. It records to optional AJA Pak Media SSDs. Two AJA Pak slots are available and allow for rollover recording without dropping frames.
Ki Pro Ultra Plus has a 4.8", 720p LCD screen that delivers a clear playback image. Dual redundant 4-pin XLR power inputs provide you with security against accidental power loss. One power supply is included.
Ki Pro Ultra Plus can be used desktop-mounted or installed in a 2 RU rack. It has a half-rack width, and two units fit in a single compatible rack shelf, sold separately. It also has a handle on top for easy transport.
Video Formats: | 4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 • (4K) 4096 x 2160PsF 23.98, 24, 25, 29.97* • (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 • (UltraHD) 3840 x 2160PsF 23.98, 24, 25, 29.97* • (2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 • (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 • (HD) 1080i 25, 29.97, 30 • (HD) 1080PsF 23.98, 24, 25**, 29.97** • (HD) 720p 50, 59.94, 60 * Only 4 x 1.5G-SDI, 10-bit 4:2:2 YCbCr, Square Division ** 25 and 29.97 requires Record Type>PsF selection |
Codec Support: | Apple ProRes 4444, 4K/UltraHD/2K/HD up to 30 fps • Apple ProRes 422 (HQ) • Apple ProRes 422 • Apple ProRes 422 (LT) • Apple ProRes 422 (Proxy) • Avid DNxHD HQX (220x)* • Avid DNxHD SQ (145)* • Avid DNxHD LB (36)** • (HD) 1080p 23.98, 24, 25, 29.97, 50, 59.94 • (HD) 1080i 25, 29.97 • (HD) 1080PsF 23.98, 24, 25, 29.97 • (HD) 720p 50, 59.94 *Avid DNxHD only supported for 1080 and 720 resolutions **Avid DNxHD 36 only supported for 1080p |
Codec Container: | Apple ProRes .MOV • AVID DNX MXF or .MOV |
Removable Storage: | 2 x slots, AJA Pak SSD media Pak256, Pak512, Pak1000* • Pak-Adapt-eSATA**, Pak-Adapt-CFast** *4K/UltraHD 50, 59.94, 60 ProRes 422 (HQ) recording requires genuine AJA Pak1000 media **Only with AJA qualified media |
Video Input Digital: | 4x 3G-SDI, SMPTE-292/296/424, 10-bit (12-bit input supported) • 4x Fiber LC*, 3G-SDI, SMPTE-297, 10-bit • 4K/UltraHD 4:2:2 or 4:4:4 (4 x BNC or Fiber LC*) • Dual Link 4:2:2, 4:4:4 (2 x BNC or Fiber LC*) • Single Link 4:2:2, 4:4:4 (1 x BNC or Fiber LC*) • 1x HDMI standard type A connector • HDMI v2.0 Compatible YCbCr, 4:2:0 only at 4K/UltraHD 50, 59.94, 60 • HDMI v1.4b, RGB or YCbCr *Optional SFP Modules |
Video Output Digital: | 4 x 3G-SDI, SMPTE-292/296/424, 10-bit • 4x Fiber LC* 3G-SDI, SMPTE-297, 10-bit • 4K/UltraHD 4:2:2 or 4:4:4 (4 x BNC or Fiber LC*) • Dual Link 4:2:2 or 4:4:4 (2 x BNC or Fiber LC*) • Single Link 4:2:2 or 4:4:4 (1 x BNC or Fiber LC*) • 1x HDMI standard type A connector • HDMI v2.0 Compatible YCbCr, 4:2:0 only at 4K/UltraHD 50, 59.94, 60 • HDMI v1.4b, RGB or YCbCr * Optional SFP Modules |
Audio Input Digital: | 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous • 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous • 8-Channel, AES/EBU via (1/2 x DB-25 TASCAM pinout |
Audio Input Analog: | 8-Channel, 24-bit A/D analog audio, 48 kHz sample rate (1 x DB-25 TASCAM Pinout) • +24dBu full scale digital • +/- 0.2dB 20 Hz to 20 kHz frequency response |
Audio Output Digital: | 16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous • 8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous • 8-Channel, AES/EBU via (1/2 x DB-25 TASCAM pinout |
Audio Output Analog: | Stereo unbalanced headphone jack (1 x 3.5mm jack) with volume control • 8-Channel, 24-bit D/A analog audio, 48 kHz sample rate (1 x DB-25 TASCAM pinout) • 2-Channel unbalanced 2 x RCA connectors |
Timecode: | SDI RP188/SMPTE 12M via SDI BNC • LTC input (1 x BNC) • LTC output (1 x BNC |
Reference Input: | External, 2 x BNC • Looping, nonterminating • Blackburst or tri-level sync |
Network Interface: | 10/100/1000 Ethernet (RJ-45) • Embedded web server for remote control via REST • Video Confidence Monitor via Web Interface • Clip upload/download via Web Interface in DATA-LAN mode • Configuration and Transport Control via WEB Interface |
User Interface: | Rotary selector knob • Dedicated, backlit transport controls and menu buttons • Large 1280 x 720 TFT LCD display with Video Monitor and Menu/Status Overlays |
Closed Captioning Support: | CEA-708, CEA-608 |
File System Support: | HFS+, exFAT |
Size: | 8.64” x 9.34” x 3.31” (219.46mm x 237.24mm x 84.08mm |
Weight: | 5.6 lbs (2.6 kg |
Power: | Dual, redundant, 5.4A max, 35W-60W typical-65W Max • 100-240 VAC 50/60 Hz (adapter) • 12-18Vdc 4-pin XLR (chassis |
Environment: | Safe Operating Temperature: 0 to 40 degrees C (32 to 104 degrees F) • Safe Storage Temperature (Power OFF): -40 to 60 degrees C (-40 to 140 degrees F) • Operating Relative Humidity: 10-90% noncondensing • Operating Altitude: |